Red White & Blue (2010) [REVIEW]

 

Are you seeing this, JD?! You recommended this movie to me months ago and here I am, finally reviewing it. This is yet another movie that falls victim to the curse of Netflix Instant. I add it, I actually consider watching it, then just scroll past it to watch Parks and Recreation or Archer or something. I recently did attempt to clean house as far as my queues were concerned and got rid of everything I knew I’d never watch. This movie stuck around, and I even bumped it right to the top of the list so I always had to look at it to get to something else. The time finally came for me to watch it, and these are my thoughts on it.

 

This is basically what I think I look like any time I wear a denim vest. Except I will never have a beard this gnarly.

 

The first few minutes of the movie we see Erica (Amanda Fuller) acting all slutty and stuff. It took me a few moments to even know if this was the movie that JD asked me to watch, and apparently it was. Erica claims she won’t sleep with any guy more than once and she isn’t in a relationship, and even gets gangbanged by a couple of “rocker dudes”, including Franki (Marc Senter). Despite her promiscuous ways, Nate (Noah Taylor) takes an interest in her, and despite her initial rejection of affection, seems to take a liking to Nate. They don’t appear to have a sexual relationship together, but something deeper. The story then cuts to Franki and his shitty relationship which leads us to his discovery that he is HIV positive. He is able to track this back to Erica, so him and his other rocker friends kidnap her to confront her, which results in her being Franki’s captive. The story cuts back to Nate, who returns to dinner at a restaurant to find Erica missing. He finds a credit card that belongs to one of the kidnappers and heads to their house. He mentioned earlier his involvement in the military so it’s not too big of a stretch of the imagination to believe he could access that information. He arrives at the guy’s house and tortures him, his wife, and their daughter. When Nate asks where Erica is, the man says she is in his trunk. When he opens the truck, Nate only sees one of Erica’s body parts. Realizing she’s been killed and dismembered, he tracks down and tortures all the people responsible. Franki gets it the worst, as he is tied down and has his entire head skinned while still alive. We then see Nate driving out into the desert, presumably to put that life behind him, and we see him bury a photo of him and Erica on the night that they had gotten married.

 

HOLY SHIT I WANTED TO RIP THOSE GODDAMN FEATHERS OUT OF YOUR STUPID EARS YOU DUMB PIECE OF SHIT.

 

But why is it called Red White & Blue?! I can’t remember where I read it but I saw somewhere that each different color represents a different character? Or something? I don’t know if I believe that, but I do believe that Noah Taylor had a sweet denim vest with an American flag on the back of it while he was torturing people. Speaking of which, Noah Taylor was fucking awesome in this. I’ve seen him in plenty of things before this, and he’s always good, but he’s typically a character used for comedic relief, so to see him in a grizzly beard and acting like a goddamn maniac was pretty terrifying. I don’t know whether or not Marc Senter can be considered “good” in this movie, because he annoyed the fuck out of me. It’s entirely possible that means he was great at being annoying, but either way, I was quite happy to see him getting his head ripped off. I mentioned that I wasn’t sure if this was the correct movie for the first half hour or so, because it’s mostly just showing Erica and Nate’s characters and relationships develop, but when Nate sees Erica getting sexually harassed by coworkers and Nate attacks them with a hammer, it clarified that it was indeed a horror movie. It was slow-paced, which I typically enjoy, but considering that “slow pace” also involved seeing a lot more of a character that I thought was really fucking annoying wasn’t all that enjoyable. Franki also had a side story about his mother having cancer or something and overdosing on pills, which I guess was supposed to justify how he could snap like he did, but I found it unnecessary. If you like revenge movies, I’d recommend checking this out, but without Noah Taylor it might not have been as enjoyable.

 

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SEND MORE COPS Episode #6 – The Grey, trailers, ghosts, Wes Anderson and more!

 

It’s certainly been a long time coming, hasn’t it? The last episode I released was over a month ago! What the fuck have I been doing with my time!? Nothing really, I guess. What an awful story. Anyways, I finally got around to recording it and had JD in on this one. As always, this epsiode can be downloaded from the iTunes page or also the direct page. Make sure to rank/review/rate/share. Enjoy!

 

Episode 6

After a long hiatus, the Wolfman is back and has brought a friend along with him! This time he sits down with frequent commenter JD to discuss, well, LOTS OF DIFFERENT SHIT. Wes Anderson, Ti West, movie trailers, ghosts, shitty movies, good movies, , a veritable potpurri of topics! That’s why this episode is over an hour long! Jam-packed with fun stuff, including a spoiler of what happens at the end of Liam Neeson’s newest film “The Grey”. WOLVES > LIAM NEESON.

We Need to Talk About Kevin (2011) [REVIEW]

 

Despite the critical acclaim of this movie, I didn’t understand why a comedy about John C. Reilly helping a fat kid at school deal with bullies. Then I realized that this movie was not at all the other movie with a person’s name as the title that came out in 2011 called “Terri”. I also recently saw an article talking about the poster design of this film and ways that it is reminiscent of Rosemary’s Baby, which got me interested. Some might even say it piqued my interest, if you’re the type of person who enjoys using words with the letter “Q” in them. I still had no idea whether or not this movie was any sort of horror or thriller or anything like that, because everyone kind of knew it was about the character “Kevin” needing a talking to because he was going to take part in some sort of school shooting or something. Why couldn’t you have taken time out of your schedule to talk to Terri AND Kevin, John C. Reilly?!

 

Talk about Kevin? How about we talk about that tomato soup!

 

Eva (Tilda Swinton) wakes up from a dream/memory of being in one of those giant tomato fights that happen in places where people don’t speak English. When she wakes up, she sees her car covered in red paint, as well as her house. You know what? I’m giving up on describing things in the order they happen in the movie because the movie was constantly jumping around to different timelines and this will be easier. Eva and Franklin (John C. Reilly) have a child together named, believe it or not, Kevin. Given their professions, it ends up being Eva who spends most of her time at home with Kevin while Franklin is typically away. The child seems unresponsive, dismissive of any attention or stimulus, as well as confrontational. He’s a little cocksucker and Franklin thinks Eva is just making it up. Doctors say that there’s nothing wrong with him and people think Eva is just kind of exaggerating. The older he gets, the more extreme the dual personalities become, being a great son when Franklin is around and being a shithead around Eva. As a toddler, Kevin intentionally shits his diapers every time he gets changed, as well as ruins Eva’s belongings, and as he get older he graduates to creating computer viruses and feeding his sister drain cleaner, which results in her having her eye removed. What an asshole!

 

And then Will Ferrell busted in and did some of his patented funny yelling!

 

The douchebaggery climaxes with Kevin taking his bow and arrow to his school, takes a shitload of Prozac, and starts locking people in and shooting a bunch of people. While jumping back and forth between timelines, we also see Eva having to deal with the community’s reaction to these events, including strangers walking up to her and slapping her and having her groceries fucked with. All the while we can’t help but wonder where Franklin and the daughter are in all of this, as most of the film focused on the relationship between Kevin and Eva, including her visiting him in prison. Towards the end of the film we learn that they were both killed by Kevin before he had gone to the school. We also learn that since he took a shitload of Prozac and wasn’t even 16 when he did those things, he was only going to be in prison for a few more years. The film ends with Eva painting a room for Kevin in her new home and getting all of his clothes ready for when he is eventually released. I think it was symbolic of her forgiving him for everything? Or something? Who fucking knows.

 

The original title was actually “We Need to Talk About Kevin…..’s Problem of Buying Small Clothes”.

 

I don’t say this too often about films, but I didn’t really understand the point of it. Granted, it was based on a novel, so its possible there are a lot of rewarding elements of the book, but I didn’t really feel much with the film. Both Tilda Swinton and Ezra Miller, who played the older Kevin, were quite good, but I still didn’t really feel anything in regards to the story. I think the points they were trying to make were about how Eva was ambivalent to the idea of motherhood from the beginning and how that could have played a part in why Kevin grew up this way, and that there can be closure at the end because she finally accepted him for all his flaws. The problem with this is that I thought she did a relatively decent job of dealing with a shitty kid and only really let her frustrations show when she shoved him once and he broke his arm. I figured that if she was having such a hard time dealing with the community after what Kevin did, she could have, I don’t know, FUCKING MOVED SOMEWHERE ELSE. I think it would have been a little bit easier to summarize the movie by saying “Tilda Swinton is from another planet and is stuck with a shitty kid who grows up to be a shitty teenager but she hugs him anyway”. It got a little tense in a few moments when you knew Kevin was about to go bonkers and get all Green Arrow on everyone, but those moments seemed to be intentionally underplayed as to not make it some gore-fest.

 

I’m certainly no DNA scientist, but how does Tilda Swinton + John C. Reilly = this?

 

When it comes to school shooting movies, the only one I could say I “liked” was Gus Van Sant’s “Elephant”. To say I liked the movie might not necessarily be the appropriate word. Elephant had only been released a few years after the Columbine Massacre and even though it wasn’t based on that, it was certainly the event that it was repeatedly compared to.  I felt as though Elephant had humanized these two kids who weren’t the monsters that everyone had portrayed them to be, and tried to show that these two kids had some fucked up experience that caused them to focus effort on a terrible, violent event. Maybe had they grown up differently or worn different clothes or had different hair, maybe there could have been enough small changes in their lives that they could have handled things in a more productive way, but clearly fell down a slippery slope of anger and hate. This film, however, didn’t really seem to address room for error in a child’s upbringing. Kevin was such a piece of shit even as a toddler, that even though Eva tried to do her best, her best wasn’t good enough. Maybe the point was that if Eva had shown such devotion to Kevin early in his life that she had shown towards the end of it, things would have been different, but I feel it missed that mark. Although I didn’t really enjoy this film, I did think there were two good performances in it, so it wasn’t a complete waste of my time. Oh yeah, and you kind of see John C. Reilly’s butt! IN A SEX SCENE!

 

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Mr. M of Last Night I Dreamt of Monsters [SHITTY INTERVIEW]

When I thought of starting up this segment of the blog, I knew the best way to call attention to it. I posted it on Twitter, asking for submissions, offering people the exciting opportunity to get involved in this endeavor. After that call, someone immediately answered that call with joyful exuberance. That man was Mr. M. Despite me not knowing who he was, and presumably him not really knowing who I was, we both embarked on a magical journey. The following interview is the result of that journey. I feel it exemplifies the spirit of what my Shitty Interviews really aim to be: an entertaining interview with someone who I don’t have good questions for. I hope you all enjoy it.

 

 

The Wolfman: Mr. M, do you mind if I call you Mr. M? You make up half of the musical dynamo known as “Last Night I Dreamt Of Monsters”. Are you named after that movie “Monster” starring Charlize Theron? Is Charlize Theron the other half of your group?

Mr.M: Charlize Theron? It isn’t safe to be seen with someone known to work with the Monicans! Besides, what’s up with that friend of hers with hands where her feet should be? That’s just too damn much. Slade Templeton of Fidget House act Defunct! makes up the other half of ‘Monsters. I prefer to work with people who still have feet for feet and aren’t convicted serial killers. Besides, Slade is a top notch, professional DJ. Quite literally “World Class.”

 

WM: Okay, you caught me, I was just being silly. I know you got your name from the movie, dare I say film, “Little Monsters” starring Howie Mandel. Would you say your sound is more “Deal or No Deal” Howie or more “Walk Like A Man” Howie?

M: I’d say it’s more “Bobby’s World” Howie. Very animated, brightly colored and wishes to hell it could be more like “Rugrats.” “Deal or No Deal” Howie looks ready to be shot out of a cannon. Wonder if we could book that as a side act. Hmm…

 

 

WM: Last Night I Dreamt Of Monsters consists of two members, thus making you guys a “duo”. Did you know that “duo” means “two” in a variety of languages, including English? This begs the question: have you ever seen “Hot Shots: Part Deux”? Deux means “two” in one of those Europe languages.

M: I have. The best part’s the one with Charlie Sheen in it.

 

WM: While checking out your page on Soundcloud (www.soundcloud.com/lastnightsmonsters), I couldn’t help but notice your biography contained words like “horror”, “terror”, and “nightmares”. However, I listened to your music and didn’t experience horror, terror, nor nightmares! Just dancing sensations! Am I doing something incorrectly?

M: Absolutely not. Horror, terror and nightmares are withdraw symptoms of our incredible dancing sensations. I’m sure you’ll experience them soon enough. Buy our EPs (and the album later this year) and you’ll be just fine.

 

 

WM: When I had asked you for some more information on your music, I got a shit ton of links, including one that took me to your YouTube page (www.youtube.com/mrmonstersmonster). Do you have a favorite funny internet video? If not, I recommend checking out that one where a kid opens up a Nintendo 64 and freaks the fuck out. It’s funny because no one gives a shit about Nintendo 64 anymore.

M: Nin-ten-do? How do you even pronounce that? I think you’re making that up. I’m a big “David After Dentist” fan. That and people falling down stripper poles.

 

WM: Okay, so I just clicked on your YouTube page and noticed two things with your video for “Discobot”. First thing: the first ten seconds hurt my eyes and made me take a nap. Second thing: you’re on a Canadian record label (Audio Planet Recordings)…WHAT THE FUCK?! Have I been conversing with a covert Canuck this whole time? If not, how did you get involved with a Canadian label if you’re from the good ole U S of A?

M: Nope. Not Canadian at all. Unless the people reading this are European, then yes. Yes we ARE Canadian. PLEASE don’t hurt us! The Canadian label (Audio Planet Recordings) is actually one of many that we’ve had the pleasure of working with (I almost said “releasing on” but that would’ve just GIVEN it to you.(haha… give it to you)) We’ve also worked with labels from the UK, Denmark and America. We had a brief fling with an Italian label once, but we’ve apologized for that enough already.

 

 

WM: You claim to be the vocalist of the duo, yet I heard not one single lyric that sounds ANYTHING like Nickelback. how can you claim to be a vocalist without any Nickelback-esque sounds? Are you guys robots? Wait, were you the robots from the video?! WHAT THE FUCK IS HAPPENING?!

M: Yes. We are robots. Sent here to cleanse humanity of the scourge that is Nickelback… and to dominate and enslave you of course.

 

 

WM: Other than robots, slightly smaller robots, and Howie Mandel, who are some of your influences? This can be answered as either creative influences, lifestyle influences, religious influences, or even influenza influences.

M: Horror movies. Bloody, gory, grit your teeth, mother-in-law in the shower kinda scary stuff. We also like long walks on the beach, pleasant conversations on a rainy day and disco music. We have too many incredibly talented friends to be able to break down our influences enough to fit here. Hint to readers: take a look at who we follow on SoundCloud to get a good idea of what influences us.(www.soundcloud.com/lastnightsmonsters)

 

WM: Other than robots, slightly smaller robots, and Howie Mandel, what kind of fans are you looking to attract? I was originally planning on asking what kind of fans make up your fanbase, but you haven’t even released a full-length album yet! Not that I’m doubting you, potential future robot overlords, but I’m certainly hopeful that this year will be the year of Last Night I Dreamt Of Robots and you’ll be huge (and you’ll spare me from the slavery that all my homo sapien brothers are doomed to carry out.)

M: We want EVERYONE! We dish the disco with a heavy helping of zombies, a side of serial killers and a furry-booted, hula hoop girl to wash it all down with. We’re the Disco a guy doesn’t have to feel guilty about. And we’re writing our first full length album now to prove just that.

As for you, Wolfman, I suppose we can consider putting you on the “No Slavery” list. So far we only plan to spare, Bill Murray, Denzel Washington (oh, Denzel!) and that David After Dentist kid – to be kept heavily sedated for everyone’s amusement, of course. Although… that might actually make the David kid a bit of a slave. Hmm… whatever.

 

 

WM: Lastly, is there any shit you’d like to talk on me for a second? Feel free to do so now! Also feel free to plug any tour dates, album release dates, date dates, those kinds of things.

M: Shit talk you? You’ve been a very pleasant wolf-faced man of a beast! We really appreciate your interest. Besides, I couldn’t think of anything bad to say of you. Especially not the fact that you often have incredibly funny tweets that I’m not allowed to re-tweet due to the lock on your account. It isn’t even slightly frustrating.

We have a number of EPs and incredibly well made remixes for sale right now. Just search for “Last Night I Dreamt of Monsters” on your favorite digital music download site (try beatport.com for highest quality.) The aforementioned song “Discobot,” on the EP “Discobot” will hit your favorite online music store March 15th. And, as I previously mentioned, we’re currently working on our first full length album to tentatively be released in late Spring/ early Summer of this year, with some serious touring to support it. So… we can crash at your place, right?

 

 

I’d like to thank Mr. M once again for taking part in this spiritual quest, especially because he even formatted all of the response correctly! All I had to do was copy and paste! The pictures were my idea. All mine! HAHAHAHAHA!!!!!!!

 

Check out Last Night I Dreamt of Monsters on:

Facebook

Soundcloud

YouTube

Twitter

Official Site

Kill List (2011) [REVIEW]

 

Look at me! I’m always on the cusp of movies that came out last year! That’s the cutting edge journalism you’ve come to expect from the Wolfman, isn’t it? This is another one of those movies from last year that a bunch of people liked, so I gave it a shot. Before I get too far into it, there are going to be a few plot details that are a little fuzzy because they had pretty thick accents. I know they were speaking english, which I should understand, but a lot of it sounded like mumbling in some other language. This isn’t the film’s fault or anything, I just need to get my hearing checked. And yet again, here’s another film where the ending and the twists are what made this movie so enjoyable, so my “spoiler free” review is to go see it, especially if you like the original “The Wicker Man”. Is it a spoiler to say that? I don’t think so, maybe it’s just because this movie features a screaming Christopher Lee (it doesn’t).

 

Are you sure it’s safe to wear that shirt AND that stick mask that close to an open flame?

 

Jay (Neil Maskell) and Shel (MyAnna Buring) wouldn’t necessarily be described as a “happy” couple, as our introduction to them is a big argument. There are financial problems because of Jay’s job, or possibly lack of job. That doesn’t stop them from inviting over their friend Gal (Michael Smiley) and a date over for dinner. It felt like the first half hour was just this married couple bickering and being uncomfortable, that is, until we see Gal’s date go into the bathroom and carve a strange symbol onto the back of a mirror. We learn the profession that Jay and Gal are involved in, which is the business of contract killing. They take a job to kill three people, but things get weird when the person who hires them cuts Jay’s hand wide open as some sort of blood contract. The first victim is a priest, who thanks Jay right before getting shot in the head. The next guy is referred to as a “librarian”, and when left alone with Jay, before getting killed, thanks Jay profusely and asks if other people knows who Jay is. Jay has no idea what these people are talking about!

 

MUCH SAFER!

 

Gal notices that jay is getting a little too carried away in this job, so they go to the person who hired them to try to back out of it. This plea is refused, and Jay and Gal go off to take care of their last kill, who is someone referred to as an “M.P.” Do you guys know what that means? I don’t. Before he leaves, Jay tells his wife to take their son to their secluded cottage for safety because Jay found pictures of him and killing the priest. Jay and Gall see where the M.P. lives and it’s a giant castle of a place. They wait outside and in the middle of the night see a bunch of people with torches and masks made out of sticks and some are in robes and others are naked, presumably a cult. When they’re spotted by the cult, they make a run for it, but the cult catches up to Gal and kills him. Jay makes it back to his family but then sees people with torches outside the cottage. He attempts to confront them, and the cult members encircle him, take his shirt off, and give him a knife. Also in the circle is a hunchback with a bigger knife, so Jay defends himself by stabbing the slow and awkward hunchback a shitload of times, right in the hunch. The masked figures start taking their masks off, and we see Gal’s date who put the symbol on the mirror, the guy who hired Jay and Gal, and when the hunchback is revealed, we see his wife laughing. She’s very much alive, but the hunch on her back was their child. Jay has a giant crown of sticks placed on his head, with all the cult members cheering him on, and as he looks around confused, the movie ends.

 

Those Brits are known for those dead-eyed stares into the middle distance. And The Beatles.

 

Those wacky Brits! I really enjoy the original Wicker Man, so of course I’m going to enjoy this movie. Just like with The Wicker Man, it’s a series of seemingly unrelated and confusing events, culminating with the reveal that everything was precisely planned out without the lead character’s awareness of anything. What exactly did the symbol mean? Why were Jay and Gal killing these people in the first place? How long had Jay’s wife been involved with whatever this cult was? Why did she want her son to be killed? Had any of these questions been answered, the movie wouldn’t have been nearly as enjoyable. I can admit that up until the symbol was carved on the mirror, I was considering shutting it off because there was so little going on. And sure enough, right when you can’t be more bored, something weird and mysterious happens and you can’t help but questions what the fuck is going on. It really wasn’t until the reveal at the end that I would consider this a horror movie, because it played out more like a typical “thriller” involving contract killers. Finding out how many seemingly normal people were involved in this crazy ass stick face cult is what pushed it over the edge into something horrific. Great performances by everyone involved, and I’m always a sucker for movies about cults and how shitty they are. The scenes of violence were pretty intense, including Jay repeatedly smashing a guy’s hand with a hammer, as well as that same guy’s head, causing his head to pop open like a spring-loaded easy access door to the brain. I think that had some of the plot points been tightened up a little bit and had the film as a whole been trimmed down ten minutes or so, this would have gotten a full moon. Oh yeah, and had I heard more about their chimney sweeping or whatever the fuck they were talking about a little better, it would have been more engaging.

 

Wolfman Moon Scale


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The Clinic (2010) [REVIEW]

 

Did I mention how many “Best Horror Movies of 2011″ lists I’ve been reading? Quite a few. Which might also confuse you because you can clearly see that this movie was made in 2010. Take it easy! Even though it made its debut in 2010, it didn’t get a wider release until 2011, doi! Look at that poster! How can you not want to see this movie after seeing that poster? Despite having read enough about this movie to pique my interest, when Rampaige asked what it was about, I believe all I could muster was, “It’s about a clinic or something and I guess stuff happens there,” was enough for her to tolerate it. Five minutes into the movie you see a pregnant woman and Rampaige threatened to not watch it if something gross happened to the baby, which it did, but she stuck around anyway. Hahaha, sucker! And before I forget, there are going to be spoilers, and those spoilers make the film more enjoyable, so I recommend seeing it before reading the review.

 

Her hand originally said “NOT PENNY’S BABY” but then it conflicted with that popular TV show called “The People who went Missing on that Island”.

A pregnant woman (Tabrett Bethell) and her husband (Andy Whitefield) are driving through Australia in 1979 when they stop at the only motel they can find. When the husband goes out for food, he returns to find his wife missing. Wait, “found her missing” doesn’t make any sense, because if she was found, she wouldn’t be missing. Is that a George Carlin joke, anyone? Point is, we see her wake up (naked) in a bathtub full of ice and with a scar on her stomach. Her baby was removed! She’s in a large complex with a bunch of other women, all recently with their babies removed. Eventually this group finds a bunch of caged babies with colored tags on them which they learn match up with colored tags that have been sewn into each of these women. One woman starts killing all the others to find out what color her internal tag clearly isn’t, rather than cutting up her own guts. Clever girl! Unfortunately, the other girls don’t like this, so they are now not only confused by what the fuck is going on, but also have a crazy lady trying to kill them.

 

I guess this was the guy who played Spartacus who died and they had to find a new Spartacus. Now I know who he is, and now I’m sad! Well, not that sad.

While all of this is going on, the husband is dealing with the shady motel owner and crappy detective, but unfortunately is killed when a car he has stolen crashes into a tree. As the women are picked off one by one, we see that there are a few people who are monitoring this whole process through security cameras. Our lead character, whose name is Beth, by the way, is able to avoid death much more successfully than the other mothers, and is even able to kill the woman who has been killing everyone else. In short, Beth is the only one left and learns her tag was violet. When she goes to retrieve her baby, she is knocked up and wakes up chained to a floor as she sees a baby with a purple tag being held by a strange Russian couple. Apparently this whole thing is set up by a woman who makes expected mothers fight one another while a potential couple can observe how the mothers react, ensuring their baby comes from strong stock. The woman who runs the whole operation offers this less than legal service and has been doing so for years, assisted by her mentally disabled son. Part of the adoption is the parents are forced to kill the mom, but lucky for Beth, she was nice to the disabled son who barges in and shoots the adopting parents but is also shot in the head at the same time by the couple. Beth breaks free and confronts the woman in charge, only to learn that she was adopted out of this program as a baby and the people she thought were her parents were the ones who killed her birth mom. After killing the woman in charge, Beth visits the grave of her birth mom and sees a man walking away from the grave. She learns that this was her birth father, and the movie ends were her planning to meet him.

 

Fun fact I learned about Australian women thanks to this movie is that they get their periods in their stomachs.

Admittedly, I nodded off maybe two or three times during this movie. That doesn’t mean I couldn’t enjoy it! Especially considering that Rampaige was with me to fill in the gaps of what I had missed! I really enjoyed the way this film was shot, speaking from a stylistic perspective. Some might say I enjoyed its mise-en-scène, if we’re going to start whipping out terms we learned in college. I should point out that there was a title on the screen that let us know it took place in 1979 and it also said that it was a few years before DNA testing. It seemed arbitrary in the beginning to mention that but the twist at the end involving all these women being doctors or athletes explained why it was important we knew that. In this day and age of DNA testing, everyone would love to have a kid who was genetically predisposed to be an athlete capable or surviving a battle royale with a bunch of other qualified candidates, so that explains the whole reasoning behind it. Supposedly this movie is “based on true events” despite never claiming that in the credits, but rather is centered around a series of kidnappings? Or something? Makes sense, I guess, to claim that a series of kidnappings is some weird eugenics based thunderdome thing. I also thought it was funny that the guy who ran the hotel commented on Beth’s jugs, and I thought, “This girl’s pregnant, but if she wasn’t, that line means we are DEFINITELY seeing her jugs,” and then five minutes later she had her knockers out because she wasn’t pregnant anymore. Isn’t that convenient?! The direction they went with the plot was fun, and there were enough twists and turns that I wasn’t anticipated to make it unpredictable, but there were a few lulls in the action and had a few too many endings. Other than that, I recommend it! yay Australia!

 

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IMDb
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Jonny B0n0rz of Galambis Records [SHITTY INTERVIEW]

For the first installment of my Shitty Interviews, I thought it would be fun to interview someone I’ve been friends with for a long time. Since my friends weren’t available, I talked to this guy instead. Hahahaha, JUST KIDDING, BUDDY! Anyways, he’s been a friend of mine for quite a few years and runs his own record label so I thought it’d be fun to see what he has to say. As for the name “Jonny B0n0rz”, it ties back into some story I can’t really remember involving someone attempting to say “sweet boners” on the internet, but accidentally saying “sweet bonorz”. A few people thought this was hilarious, and I even made him a shirt with the statement “SWEET B0N0RZ” on it. I replaced the O’s with 0′s because of something internet related and–goddammit, I’m an idiot. Just read the interview. I’d also like to say that all images featured in the “Shitty Interviews” segment will just consist of me taking phrases from the response and plugging them into Google search. Very helpful!

The Wolfman: Jonny B0n0rz, can I call you Jonny B0n0rz? Jonny B0n0rz, before we go ANY further into this interview, could you please inform our wonderful readers of your memory of the first time we met? Well, technically, it’s the ONLY time we met, but you know what I mean!

Jonny B0n0rz: So… back in the day… in the early 2000s (feel OLD, people older than me), the Wolfman and I attended college together at a little place called the University of Massachusetts in Amherst, Massachusetts. I came to school from eastern Mass, away from my family, friends, and everything that I knew and was comfortable with. The Wolfman, on the other hand, was mere minutes from his childhood home and his friends from high school and even before that. As a straight edge freshmen at a party school who was obsessed with basketball and hardcore, I found it a bit hard to fit in. I made friends, but not many of them had much in common with me and I found myself going home a lot. Eventually, I mustered up the courage to try and talk to some people who looked like they might be my friends (i.e. people wearing hardcore/punk band t-shirts/patches/buttons/etc.). Over the span of 24 hours I had two such brave encounters. The first one was a hefty dude with mutton chops and a messenger bag with BANE and STRAIGHT EDGE patches on it. I approached him to inquire about an upcoming BANE show and he was kind of a dick and I was bummed. The next day, a friend of mine and I ate lunch, and I found myself sitting across the table from one of the hardcore-band-t-shirt-guys I had seen around campus pretty frequently. He was the palest motherfucker I’d ever seen and had dyed black hair. He was wearing some kind of army hat I think (so cool at that point) and an American Nightmare windbreaker. A little nervous, but also excited, I tried to start a conversation by attempting to reference a recent story in hardcore – that being the changing of the name of American Nightmare to American Nothing and then to Give Up the Ghost… I asked him “Oh, so you like Give Up the Ghost?” I had thought it was a great first impression – he would know that I followed what was going on in the scene – as the band had literally JUST changed their name within the previous day or two. This skinny bastard looked at me, and in a snotty shit-head voice said “IF BY THAT YOU MEAN AMERICAN NIGHTMARE THAN YES.” I decided that this kid was a total douchebag and that I would never find friends at UMass. As months progressed, we began chatting on AOL Instant Messenger (my screen name was xPutSomeMusicOnx) and eventually became friends. He opened a doorway for me to a vast network of friends, many of whom I am still close with to this day. But my first impression – trendy douche asshole.

WM: Hahaha, that was classic (editorial note, I wrote down “hahaha” before actually reading his response, so I apologize if it wasn’t told in a funny way). This means we’ve known each other close to ten years, and the thing that brought us together was music. Mostly it was shitty metalcore, but it was still technically music. What are some bands that you still listen to from that simpler time, no matter how embarrassing it is to admit? What are some newer bands that are cool that you want to brag about listening to because I have probably never heard of?

JB: Over the past couple of months I’ve been trying to listen to every CD I own – which is difficult since I ride my bike to work a good percentage of the time, and that’s usually the only time I listen to CDs. I cleared out my CD collection maybe 5 years ago and the following (embarrassing - but not all 100%) metalcore CDs made the cut: Embrace Today – Soldiers, Embrace Today – FxYxIxE, Eighteen Visions – Until the Ink Dries, Folly – Insanity Later, Half of my Zao CDs (there were a lot), Comeback Kid – Turn It Around (still awesome), With Honor – EP & Heart Means Everything. I’m sure there are more – I’m not actually looking at my CDs right now.

Top things I’ve been listening to lately: The Pist, Soul Control, The Weatherthans, The Stoned Ambassadors, No Trigger, Armalite

WM: Since we’ve met, we’ve both gotten involved in slightly different musical “scenes”. You took your love of music to the point of starting your own label, Galambis Records, and I just started listening to a lot of stoner metal. I was going to ask what caused you to start the label, but then I saw that your first release was your own band and realized you had to release it because no one else wanted to. This takes us to my next question: What release are you most proud of, and why the fuck is it called “Galambis Records”?

JB: Rory named it – it’s a combination of my last name and former Lakers forward Kurt Rambis’ last name. Kevin McHale from the Celtics was always my favorite player, and Rambis was his basketball nemesis. I don’t really know why Rory combined the names, I think he just wanted to draw the goofy glasses and moustache.

I feel proud of different releases in different ways. I’m proud to have released the Relics LP because I think it’s really good and I was able to join them on tour which was a real life highlight for me. I’m proud to have released the Wild Wild West Compilation cassette because it took the most organizing and work of anything I’ve done. Coordinating over a dozen bands to get songs, lyrics, artwork, etc. can be a real hassle, but I made it happen and went through a run of 500 cassettes, sending them all over the world.

Being able to put things together by hand, gluing, labeling, stamping, screen-printing, is a really rewarding process when you get the final product. I feel like my own bands have a special place for me because I feel like I put so much of myself into them between writing, recording, designing, producing, and distributing the music in collaboration with my friends.

WM: Again, without having read your response I’d like to point out that at one point in my life I thought it was funny to insert the word “gay” into your last name. I then learned that people were doing this to you as far back as high school, which was when you were friends with Rory. How’s Rory doing? That guy’s awesome!

JB: Working at a middle school, I’m pretty familiar with using gay as a heterosexist slur, for sure, and became more aware of it and involved in being an active ally to the LGBT community later on in high school.

Rory is totally awesome. I saw him on his birthday in September and on Christmas Eve. He likes to sing, play guitar, be funny, animate, watch basketball, and ride his bike. What a dude.

WM: Just wanted to remind our readers that Rory was in a band with Jonny B0n0rz so it wasn’t completely off-topic. And speaking of bands, are there any projects you’re currently working on? Specifically, are there any bands that will last long enough for one demo tape, three shirts, two live shows, and ultimately breaking up because no one has the time but you?

JB: No one has time including me.  :(   My friend Kevin and I have talked about doing something – and there have been conversations about recording a rap album with me on the mic. Wouldn’t that be awesome? ha ha

 

WM: In addition to be a record label mogul, much like Sean “P. Diddy Puff Daddy” Combs, you have a blog about bikes (www.bikefromthefalls.blogspot.com). I was led to believe that only trendy douchebag idiots rode bikes, is there any truth to this rumor? I contacted the guys at Mythbusters about that myth but they haven’t gotten back to me.

JB: I mean, I’d say I am all for anyone riding bikes, even if they are trendy douchebags. I think that bikes are really important and one of the greatest human inventions. I can get myself from one place to another fairly quickly, without wasting resources, without producing pollution (other than tons of farts – but they help me go faster), and also help myself stay healthy and physically fit without having to pay for a gym membership. Considering how ridiculous the obesity rates in America are and the number of preventable illnesses that are running rampant, any activity that helps keep your weight down is CRUCIAL.

WM: The last email you sent to me, which contained links to your various projects, told me it was sent from your iPad. Is it true that this iPad was given to you by your place of employment? And you mostly spend your time on it looking up videos from hardcore shows? Oh! And did you ever find the point in that HOAX video when the fan broke?

JB: Yes, I do have an iPad for work. I have been known to use it to watch hardcore videos and play NBA Jam. No, I never re-watched the Hoax video, did you?

WM: Speaking of crucial mosh moves, is it possible that you could type up some sort of instructions of one of your famous mosh moves? Or even just list what you named some of these moves? For the record, Jonny B0n0rz and I used to practice these moves while listening to a boom box in the lobby of his dorm while everyone mocked us.

JB: We did used to practice mosh moves in case we went to a Bury Your Dead or Love is Red show in the Webster dorm 5th floor student lounge, ha ha. Well, that’s where we would practice, not where the shows were. Bury Your Dead did play Van Meter and ruin having shows at UMass for like 5 years though. One move was a cartwheel, direction reversal, followed by a spin kick. I have some photos of you, me, and Nate Fernald moshing in that room somewhere. Also, there was some sort of tandem over the back / back to back move, that may or may not have been executed at a Taking Back Sunday show at the Worcester Palladium circa 2001. That paragraph is really painful to read.

 

WM: Lastly, is there any shit you’d like to talk on me? Any projects you’d like to promote or messages you’d like to pass along? It’s time to “step up to get your rep up”, in the words of Scott Vogel.

JB: I’d say that if you’re interested in bike commuting, my blog might interest you, follow it! If you like music, download most of the releases of the Galambis Records website for free.99. (that’s free, not 99 cents). Also, there are some things you can still buy up there too, so if you like something, you can buy it and support a d.I.y. Massachusetts punk/hardcore label.

Enough shit has been talked. Live life, stay positive, be nice. xxx

 

Thanks again, Jon! Make sure you guys check out his record label, his bike about blogging, and that third link will open up a song from one of his current projects.

Galambis Records
Bike from the Falls
MP3!

Hostel: Part III (2011) [REVIEW]

 

Holy shit, they made a third Hostel?! What is Eli Roth THINKING?! Oh, he’s not directing this one, nor did he write it, nor did he get involved with it in any way, shape or form. Maybe he is involved in some minute way, but I’m going to pretend he wasn’t. I enjoyed the first two films to varying degrees, and didn’t even consider watching this one until I saw a review saying it was mildly entertaining. I believe that review claimed it would be fun to watch with a group of friends, so I watched it with Rampaige, who kept telling me it was stupid and to turn it off. I can’t just turn it off! I got it on Netflix! To turn it off would be like throwing money down the toilet! But, in retrospect, I probably should have never rented it in the first place.

 

Deth by computer-generated cockroaches?! NOOOOOO!!!!!!

 

An American walks into a room where he is confronted by an Eastern European couple who start getting frisky in front of him. We have learned from previous Hostel films that Eastern Europeans are bad, so we get nervous for the American. The tables are turned when we learn that the American is the dangerous one, drugging the couple and taking them to an underground las Vegas lair. We jump to a group of friends going to Las Vegas who are there for a bachelor party, and every single member of this group of friends is more irritating than the last. One friend is taken captive to be tortured by the Elite Hunting group and to give this movie its Las Vegas twist, we see this friend being tortured while people are making wagers on method of execution, how long he’ll take to die, and how he tries to barter for his life. While the rest of his friends to try track him down, they also end up part of the captives of Elite Hunting and we then learn the whole thing was set up by one of the friends who is actually a member. The member wants to sleep with the fiancé so he orchestrated everything and as apparently paid to kill this guy. The guy is let loose for the two “friends” to compete, but eventually it’s the member of Elite Hunting that escapes while the building explodes behind him. We see the dickhead friend at home with the now grieving fiancé, who asks if he’ll spend the night. He accepts, but then a horribly burned version of the friend he thought he killed pops up out of nowhere to torture and kill that tricky little asshole. VENGEANCE!

 

Poor, poor son from Nip/Tuck getting all arrowed to death. He had a self-proclaimed “gimp leg” in the movie, which I kept expecting to be some sort of plot point, but it wasn’t. A guy get hit in the face a few times with his crutch, but it was about as effective as a broom, so I don’t count that as a plot point. Sorry!

 

Unimaginative kills, unimaginative characters, and a big sense of redundancy are some of the flaws of this movie. I can’t quite give it my worst rating, however, because there were a few moments that did turn out differently than what I anticipated happening. This isn’t to say that those twists and turns weren’t cheesy, because they were, but they were still things I didn’t quite anticipate. I figured the opening scene, with its over-the-top portrayal of an Eastern European stereotype of attractive women and scary men was going to play out exactly the way it would in either of the previous movies, but clearly didn’t. When the shitty friend admitted to being a member of Elite Hunting, I expected to see him use his powers to get his other friends to buy their freedom by killing someone, similarly to how Hostel: Part II ended, and was wrong. And again, despite the cheese factor of the whole thing, the Las Vegas twist of incorporating wagers on the torture of the victims was enough to keep me interested. Other than that, this one was pretty awful and I don’t think it will be fun for anyone to watch, I don’t care how many of your friends you’re with.

 

Wolfman Moon Scale


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New Blog Segment: SHITTY INTERVIEWS

Okay, I know what the name implies. The implication of this blog segment is that the interviews themselves will be shitty, possibly because of the responses to the questions are boring or uninteresting. Another possibility is that the questions themselves are shitty ones, thus causing a shitty response, which would be far more accurate. Something I have really wanted to do with this blog is get the opportunity to network and connect with people I respect and admire, and in these pursuits, have come upon two different results. When I attempt to contact someone who is somehow related to horror films, I’ve found it incredibly difficult, as the people I want to contact either have too little internet presence to make contact, or are too big of celebrities to have the time to get back to me. When I attempt to contact someone related to comic books, I’ve found that it’s much easier to make the initial contact, as most of these people make their personal email addresses readily available, but am intimidated by their body of work. In short, people are either too hard to contact or have much too large a body of work to try and create relevant questions. This is where the idea of “SHITTY INTERVIEWS” was born.

The goal of this project is to create an entertaining article/blog post for you, my dear readers, with me doing as little research into the subjects as possible. The way I create the questions for each subject is that they provide me with a list of links of things they want to promote, I click on those links, and then try to come up with questions as quickly and superficially as possible. The inherent nature of this project is to entertain, admit my own shortcomings as early as possible, yet allow someone the opportunity to promote whatever is they’d like as much or as little as they’d like. I’m hoping to eventually be in contact with writer, directors, actors, artists, illustrators, musicians, bloggers, and anyone who wants to promote anything. I would just choose friends at random to just ask questions to, but I’d rather the subjects have some sort of internet presence so you can all see evidence of how or why I asked the questions I asked. Hopefully you guys enjoy it, and hopefully I can get better at interviewing people. Of course, if anyone is interested in being the subject of one of my “SHITTY INTERVIEWS”, I’m sure it won’t be too hard to contact me. Keep your eyes out for them!

The Devil Inside (2012) [REVIEW]

 

I’m going to break my routine and talk about the end of this movie before I go any further. This movie has been getting a LOT of shit over the way it ends and has caused everyone to walk out of it bitching and whining. Did people forget that this was intended to be a “found footage” movie? And that it was supposed to come across as a documentary? Well, have any of you seen documentaries before? Whether it’s a documentary about food or animals or abortions or whatever, the filmmakers will typically include something at the very end to give you advice on where to go to get more information on the subject. Would you believe that a movie who was trying to look like a documentary would end by doing the same exact thing? Lots of people are claiming this film ends abruptly and just tells you to go to a website. You’re right, it does end somewhat abruptly, but certainly doesn’t end any more abruptly than any other found footage movie. I can admit that it might be a little confusing (if you’re stupid) to not pick up on why that website popped up at the end, and maybe it was a weird bit of marketing, considering no one learned anything from the website, but people getting all up in arms about it need to calm the fuck down. Even ignoring the “abrupt” ending, the movie wasn’t that good anyway, so I’m not really trying to defend it as a masterpiece.

 

I prescribe you more fiber in your diet.

 

In Hartford, CT in 1989, a woman killed three members of the church in her home while they were performing an exorcism on her. Declared insane, she was sent to a mental institution that eventually shipped her out to a facility in Italy. Twenty years later, the woman’s daughter goes in search of her mother to find out if her mother is insane, or maybe if there’s more to the story. The daughter, Isabella (Fernanda Andrade), goes to an exorcism school to see people debating about the scientific vs. religious explanations for what’s going on. She gets involved with two priests, Ben (Simon Quarterman) and David (Evan Helmuth), who are going against the church and performing exorcisms on their own. They perform one on Isabella’s mother, which is when David’s behavior starts to change. After attempting to drown a baby during a baptism, the police show up and David kills himself. We learn that the demonic possession is jumping from person to person, including Isabella, and the film ends when the demon leaves here body but enters the body of the person driving, killing her, Ben, and the person making Isabella’s “film”.

 

Things got a lot sexier when a possessed girl decided to reinvent the Kama Sutra herself.

 

See what I’m saying? It doesn’t end any more abruptly than The Blair Witch Project or any of the movies in the Paranormal Activity series ends, it’s really just the website that people can’t comprehend. Does anyone else remember seeing this trailer a couple of months ago? It was pretty fucking terrifying, and it was only a trailer. Sadly, once it got to be time for the movie, it was just an expanded trailer. All of the more intense scenes or segments were chopped down and included into the trailer, so when you saw the same exact stuff during the whole movie, it wasn’t all that scary. I’m a sucker for stuff that argues science vs. religion and I think some of the exorcism scenes, had you not seen the trailer, were pretty well done, but it didn’t really leave much impact. Certainly not an awful movie, but it definitely suffered because of the success of its trailer and the poor word-of-mouth in regards to the ending.

Wolfman Moon Scale


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