Predator: Badlands (2025) [REVIEW]
Director Dan Trachtenberg has an innate knowledge for this franchise, and even if it gets a bit goofy, it’s still exciting to watch unfold.
Director Dan Trachtenberg has an innate knowledge for this franchise, and even if it gets a bit goofy, it’s still exciting to watch unfold.
Sydney Sweeney has become a lot like pineapple on pizza: everyone needs to have an opinion one way or another, and the straightforward opinion carries a lot of unintended baggage. […]
It feels safe to say at this point that filmmaker Yorgos Lanthimos is a bit of a sicko. From Dogtooth to The Lobster to The Killing of a Sacred Deer […]
The fifth film in the franchise might change its filmmaking format, but the scares are just as underwhelming.
By merely making a serviceable zombie comedy full of queer characters, Queens of the Dead feels like a major win for the genre.
The new take on the concept doesn’t do much to make the idea feel fresh or contemporary.
While the first half is a bit sluggish, the back half of Guillermo del Toro’s Frankenstein is remarkable.
Listen — I’ve never been good at self-promotion. One reason is that I don’t think I have anything that’s worth being promoted by anyone, which I’m sure you all agree […]
There’s promising sequences and story concepts but the pacing prevents Other from finding its stride.
Rose Byrne is phenomenal in one of the year’s most viscerally anxious theatrical experiences.