Queens of the Dead (2025) [REVIEW]
By merely making a serviceable zombie comedy full of queer characters, Queens of the Dead feels like a major win for the genre.
By merely making a serviceable zombie comedy full of queer characters, Queens of the Dead feels like a major win for the genre.
The new take on the concept doesn’t do much to make the idea feel fresh or contemporary.
While the first half is a bit sluggish, the back half of Guillermo del Toro’s Frankenstein is remarkable.
Listen — I’ve never been good at self-promotion. One reason is that I don’t think I have anything that’s worth being promoted by anyone, which I’m sure you all agree […]
There’s promising sequences and story concepts but the pacing prevents Other from finding its stride.
Rose Byrne is phenomenal in one of the year’s most viscerally anxious theatrical experiences.
The Weapons home video release doesn’t shed much insight into the horror movie, but is that a bad thing?
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Kathryn Bigelow delivers another thrilling and captivating ensemble experience.
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